TRICKSTER

(Booking in North America)

PromoPhoto.jpg

OFFICIAL WEBSITE     TECH RIDER     HI-RES PHOTOS     FACEBOOK    

Miles Okazaki – Guitar
Matt Mitchell – Piano
Anthony Tidd – Bass
Sean Rickman – Drums

LATEST ALBUM: Trickster - Pi Recordings (2017)

TRICKSTER album artwork.jpg

Performers:

Miles Okazaki – Guitar
Craig Taborn – Piano
Anthony Tidd – Bass
Sean Rickman – Drums

Tracks:

1. Kudzu 5:21
2. Mischief 3:24
3. Box in a Box 5:47
4. Eating Earth 6:43
5. Black Bolt 2:42
6. The West 3:46
7. The Calendar 9:16
8. Caduceus 6:41
9. Borderland 1:07

TOUR DATES:

Apr 03, 2019: **BOOK NOW**

Apr 04, 2019: **BOOK NOW**

Apr 05, 2019: AKRON, OH, USA

Apr 06, 2019: CLEVELAND, OH, USA

Apr 07, 2019: CHICAGO, IL, USA

Apr 08, 2019: **BOOK NOW**

Apr 09, 2019: **BOOK NOW**

Apr 10, 2019: LOS ANGELES, CA, USA

Apr 11, 2019: LOS ANGELES, CA, USA

Apr 12, 2019: PORTLAND, ME, USA

Apr 13, 2019: SEATTLE, WA, USA

Apr 14, 2019: VANCOUVER, B.C., CANADA

Apr 15, 2019: PHILLADELPHIA, PA, USA

Apr 16, 2019: PITTSBURGH, PA, USA

Apr 17, 2019: ANN ARBOR, MI, USA

Apr 17, 2019: ANN ARBOR, MI, USA

BIO:

Miles Okazaki is an American musician working with many of the leaders of today’s creative music scene. His approach to the guitar is described by the New York Times as “utterly contemporary, free from the expectations of what it means to play a guitar in a group setting — not just in jazz, but any kind.”

Trickster was released on Pi Recordings in 2017 to great acclaim, called “a brilliant individual statement” and “a mature work for the ages” by Pop Matters (best of 2017), ” “a true concept album” by the Wall Street Journal, and “an expression of deep, systemic intrigue” by the New York times. Trickster made best of 2017 lists on Pop Matters and the Los Angeles Times, and was an Editor’s Pick at both Downbeat and JazzTimes. The album features Craig Taborn on Piano, Anthony Tidd on Bass, and Sean Rickman on drums. Recent performances have included Matt Mitchell on piano.

Trickster is Okazaki’s fourth album of original compositions. His first project  Mirror was released independently and received a “Critics Pick” in the New York Times, calling it “a work of sustained collectivity as well as deep intricacy.” He expanded to a septet for his second album Generations, described by pianist Vijay Iyer “the sonic equivalent of Escher or Borges, but with real emotional heft”. His third album Figurations was recorded live with a quartet, and was a  New York Times top ten album of 2012, described by Ben Ratliff as “slowly evolving puzzles of brilliant jazz logic.”

As a sideman, Okazaki works in many areas, ranging from Standard repertoire to experimental music. He has been most widely seen as the guitarist for saxophonist Steve Coleman from 2009 to 2017. In recent years, he has worked with a variety of artists including Kenny Barron, Steve Coleman, Jonathan Finlayson, Amir El Saffar, Adam Rudolph, Dan Weiss, Aka Moon, Linda Oh, Darcy James Argue, Jane Monheit, Vijay Iyer, Francois Moutin, Doug Hammond, Carl Allen, Ohad Talmor, Mary Halvorson, John Zorn, Jen Shyu, Mark Giuliana, Patrick Cornelius, Rajna Swaminathan, Matt Mitchell, Craig Taborn, Tony Moreno, Ben Wendel, Donny McCaslin, and many others. He lives in Brooklyn, NY.

VIDEOS:

PRESS:

“a brilliant individual statement” – Pop Matters “The Best Jazz of 2017”
“immersive, groove-heavy and ultimately immediate” – Los Angeles Times “Best of 2017”
“an expression of deep, systemic intrigue” – New York Times (live performance review)
“a mature work for the ages.” – Pop Matters
“glorious braids of melody.” – Pitchfork  
“a true concept album” – The Wall Street Journal
“tenacious futurism” – New York Times (live performance review)
individual and distinct imagery” – Bandcamp “Best New Jazz”
a real breakthrough.” – JazzTimes “Editor’s Pick”
“an intellectually hefty album that feels weightless” – Downbeat “Editor’s Pick”
“beguiling new quartet album” – WBGO
“a new reflection of the music’s roots in jazz, funk and blues” – The Los Angeles Times
“autoridad y convicción” – El Intruso
“un disco sorprendente” – All About Jazz Italy
“une musique intense et colorée – Jazz Magazine (France)
“complex and grooving . . . ★★★★ – Downbeat
“latticework of bouncy rhythms” – Financial Times
“new forms of expression” – JazzScene
“ferocious forward momentum” – Textura
“an eruptive guitarist” – Stereogum
“precision oriented approach” – AllAboutJazz:
“elaborate, internally rhyming forms” – NYC Jazz Record
“both adventurous and accessible” – Improvised
“elaborate layers of sound that intrigue and astound.” – JazzTrail:
“Play it loud . . . you can dance to it!” – Step Tempest